Tag Archives: Malachi Kirby

New UK-Hungarian production Dough gets seen at the San Francisco Jewish Film Festival

Written by Graeme Wood



A UK-Hungarian co-production cross-cultural comedy set in London’s East End premiered at the San Francisco Jewish Film Festival opening night on July 23rd. “Dough”.

Directed by John Goldschmidt from a script by Yehuda Jez Freedman and Jonathan Benson the film tells the story of a Jewish baker (played with zest by Jonathan Pryce) whose failing bakery business gets a boost when his young black Muslim apprentice Ayyash (Jerome Holder) comes up with an idea to drop cannabis into the dough!

Also featured in the cast are rising star Malachi Kirby (Gone Too Far, Kajaki, My Brother The Devil), Philip Davis, Ian Hart and brit favourite Pauline Collins.

Watch the trailer here below:

Food has always represented more than sustenance in Jewish culture, and its transformative power is on display in this delightful British dramedy which unites a widowed third generation kosher baker, Nat (a crusty yet compassionate Jonathan Pryce), and his new Muslim apprentice, Ayyash (Jerome Holder in a breakout performance). Dayan & Son Bakery is in a downward spiral. Nat’s customers are all moving or dying. To top it off, his adversarial competitor is moving in on his turf, and his son has no interest in carrying on the family business. When Nat’s apprentice quits, he reluctantly hires Ayyash, a smalltime pot dealer living with his mother, who has struggled to keep a crumbling roof over their heads since they immigrated to England from Darfur. Working the dough at the sleepy bakery, Nat and Ayyash begin to understand each other’s personal histories and religious rituals; distrust becomes respect and eventually a heartwarming intergenerational friendship. But Dough really takes off when Ayyash’s two professions accidentally merge in a batch of very popular cannabis-infused challah. Then things begin to look up for both men. Led by the always impressive Pryce, Dough is reminiscent of the popular British comedy Saving Grace and perfect for film lovers of any age, race, religion or gender with an appetite for feel-good cinema.
—Alexis Whitman

Director John Goldschmidt
Screenwriters: Jez Freedman, Jonathan Benson
Cast: Jerome Holder, Jonathan Pryce, Malachi Kirby, Pauline Collins, Jerome Holder, Philip Davis, Ian Hart, Andrew Ellis.



More info on the San Francisco Jewish Film Festival

The Making of Hot New Comedy Film Gone Too Far

Directed by Destiny Ekaragha
(Screen International Star of Tomorrow 2009)

Written by Bola Agbaje
(Winner, Olivier Award for Outstanding Achievement in an Affiliated Theatre, 2008)

Produced by Christopher Granier-Deferre
Financed by The BFI Film Fund and Poisson Rouge Pictures

Official Selection: London International Film Festival 2013
Nominated: Best Newcomer (Destiny Ekaragha), London International Film Festival
Official Selection: Toronto International Film Festival: Next Wave (2014)
Winner: Best New British Comedy, LOCO London Comedy Film Festival
Selected for: Birds’ Eye View Festival 2014; Belfast Takeover Festival 2014

Nominated: Independent Spirit Award (Destiny Ekaragha) &
Female Performance in Film (Shanika Warren-Markland);
Young Shooting Star (Adelayo Adedayo);

Favourite Male African & International Emerging Screen Talent:
(OC Ukeje), Screen Nation Awards 2014




The origins of the project:

Gone Too Far! was first performed as a play at the Royal Court Theatre in 2007. It won the Laurence Olivier Award for Outstanding Achievement in an Affiliated Theatre. Bola received an Evening Standard Award nomination for Most Promising Playwright in 2008.

Bola Agbaje (writer): “Gone Too Far! was the first play I’d ever written. I was on the Young Writers Programme at the Royal Court (which has also launched the careers of writers such as Polly Stenham and Lucy Prebble), which was a really inspiring experience and I owe them a great deal. The play did really well, and won an Olivier Award and raised some themes about racism within the Black community that hadn’t really been talked about in public before. It was based on my experiences growing up on an estate in Peckham, not causing trouble – just doing things the kids in Gone Too Far! do, and my moving between Nigeria and London when I was growing up –

feeling like you had a foot in both cultures, and not knowing who you really are.”

The play was first performed in 2007, and helped launch the careers of some of Britain’s now most high-profile Black actors, including Zawe Ashton, Ashley Chin, Bunmi Mojekwu, Tobi Bakare and Tunji Lucas. It caused headlines when Agbaje invited then-Prime Minister Gordon Brown to come and see the play if he really wanted to understand the problems that inner-city kids faced. He didn’t attend. But the potential to turn the play into a film was obvious from the beginning.

Christopher Granier-Deferre (producer): “I saw the play and immediately knew that it had the potential to be turned into a movie – it was so fresh, so moving, and so unusual that it just leapt off the stage. So I basically door-stepped Bola until she agreed to discuss making the film version with me. And it was good timing, because the play was getting a huge amount of attention.”

Bola Agbaje: “When it was running at the theatre, an exec from the then-UK Film Council came running up and asked whether I’d ever thought about turning it into a film. And coincidentally, I’d met Christopher the day before, and we started talking about how we’d do it. But it was a really long process – it took three years to get it from first draft to shooting the film”.

The development process:

Destiny Ekaragha (director): “I saw the play at the Royal Court, and really loved it. It was a really funny story that I had never seen told before, it felt like my story. It dealt with things that I had dealt with growing up in South East London – things that I had never seen talked about on screen.

I jumped at the chance to direct it. When I first met Bola, we clicked almost immediately. We became friends in a matter of seconds and a team in a matter of minutes.

“Our vision for Gone Too Far! was clear to us and Christopher, but to many others Gone Too Far! was so different from anything else that had gone before. Here was a film that had young black people in it without guns, drugs and knife crime. It was just a coming of age story sprinkled with comedy. Many didn’t get it, but the execs at the BFI Film Fund did instantly. I walked into their offices and was treated like a human being – not some alien that was trying to prove to them why.

Producer – Christopher Granier-Deferre

Christopher has over twenty years’ experience working in film and television. As an assistant director he has worked with, amongst others, George Lucas, James Ivory and The Hughes Brothers. Work as a production manager includes Syriana starring George Clooney and Matt Damon. Credits as a producer include the BIFA-nominated thriller The Hide and A Thousand Kisses Deep starring Jodie Whittaker and Dougray Scott. His latest feature, Gone Too Far!, premiered at the 57th BFI London Film Festival in October 2013, and saw director Destiny Ekaragha nominated for ‘best newcomer’. He has recently directed his first feature, Dirty

Weekend, a “deliciously dark black comedy”. He is currently head of Creative England’s low budget iFeatures initiative.

my people were important. One meeting later and my first feature was being made. I was in shock for days. We’d had three years of constant ‘no’s’ and here was a ‘yes’. In an hour it was decided that one of my dreams was going to come true. And it did.”

Bola Agbaje: “Initially, it was tough to turn the play into a film because I kept being told that I had to tell the story visually – and as it was my first screenplay, learning how to cut the dialogue back and put this back into the world that it was from. Onstage you can use your imagination about the world of the play – in film, you have to describe it. In terms of the essence of the play, nothing’s changed from what was performed. But there are lots of changes in the tone and the dialogue – it’s more of a straight comedy now. I took away issues of knife crime and gun crime that was in the

play. At the time (2007) it was necessary – people weren’t really talking about that on stage. But now it’s changed – I think we’ve come a long way in what we see on TV and the openness about those issues being discussed.”

The Casting Process:

Casting Malachi Kirby as Yemi

Destiny Ekaragha: “I first saw Malachi in BBC Drama My Murder and I thought he was incredible. I called him in to read for us just to see him perform. As he’d played mainly serious parts before, I was curious to see if he could cross over to comedy and he did, he blew us away. I loved working with him on set, he’s just a sweet, sweet soul and a phenomenal actor.”

Casting O.C. Ukeje as Ikudayisi

Destiny Ekaragha: “There’s nothing worse than non-African actors doing bad African accents. I can just tell from a mile off that they’re not African and it just takes me out of the scene. So with that in mind, we decided that Ikudayisi should be played by someone from Nigeria. Bola had actually met O.C. when he was in London for the Olympics performing as part of the Cultural Olympiad, and she sent me his showreel, which I loved, and we Skyped. I talked to him about the character and about how I wanted him to be a real person and not some caricature. I was worried that in the wrong hands Ikudayisi would just be a larger-than-life character and not human. O.C. and I were on the same page about that. He nailed his audition, he was perfect.”

Christopher Granier-Deferre: “O.C. is a huge star in Nigeria, and we were thrilled when he accepted the role. What he must have thought when he came over he came for 6 weeks, and we made him shoot in November in East and South London in terrible weather for very long hours! He is such a pro – hard working, eager and enthusiastic. And a brilliant actor. Hopefully this is the start of big things for him over here too – although the way his career is going, who needs ‘over here?’”

Casting Shanika Warren-Markland as Armani

Destiny Ekaragha: “Shanika had played Armani in a read through for us, when we were still developing the script and she was amazing, she had Armani down perfectly. I was a little worried about her look though. Shanika is a very elegant and classy young woman whereas Armani is this very young and boastful girl. So for the audition I asked her to dress as Armani. When I saw her across the street I just thought – ‘that’s her’. Htosiner hair was slicked back, she looked 17 or 18, and was almost unrecognisable. She was Armani. It was a wonderful experience to watch her work. She’s such a sweet and lovely person – the complete antithesis to Armani – so to watch her switch into the villain of the piece was mesmerizing.”

Casting Adelayo Adedayo as Paris

Destiny Ekaragha: “We shot a pilot for this film a few years ago – to test the tone, the mood, the characters and Adelayo was in that as Paris. Two years later the film was green lit and there was nobody else in my head for the role of Paris. It had to be Adelayo. She has this ability to make you feel whatever she’s feeling with just her eyes. She’s an extraordinary talent.”

Casting Tosin Cole as Razer

Destiny Ekaragha: “This was the hardest casting we did. We met so many great actors for the role – some really up and coming names – but because of what the character Razer does and says throughout the film, it was very important that the actor playing him was funny. If not it would’ve given the film a different tone, a darker tone and that’s not what we wanted. The moment Tosin came in and opened his mouth I was laughing. Even when, as the character, he was being serious I was still laughing, I couldn’t stop. We knew then that it was him, the role was his. On set

it was the same. He was constantly improvising, constantly coming up with ideas. He’s one of the funniest people I’ve worked with, and that really comes across in his delivery”.

Casting Miles McDonald as Ghost

Destiny Ekaragha: “We had to cast this role really, really quickly – literally we had 20 actors come in and one of them had to be right, because we were going to start shooting with him the next day. Everyone that came in was good but they weren’t right and towards the end of the day I was starting to get really worried. Then Miles came in. Miles is a pretty quiet, mild mannered guy so I wasn’t sure about what he was gonna do. His sight reading was great but I could feel that he had more to give so we did some improv. All of a sudden this vulnerability tinged with edginess came

through. He was able to be calm, funny and vulnerable all at the same time which I was blown away by. It was real, nothing about it felt fake and I think that’s what made him perfect for the role.”

The shoot:

The team shot for 5 weeks in Bethnal Green and the film’s spiritual home, Peckham. The shoot wasn’t plain sailing, of course – the budget was low, and shooting a film that had initially been based on the hottest day of the year, during October and November in London, was always going to present challenges.

Christopher Granier-Deferre: “The film’s based over the course of one day, all set outside, in one location. So there was some frantic looking at the weather forecasts every morning for continuity, but this is film making – you have to go with what you’re given. Some days we literally had to shoot what we had as there was no interior we could go to. It even snowed once when we were trying to do “summer” beauty shots of Peckham. Generally we lucked out. But as soon as we wrapped the film, it rained for a month non-stop. The gods wanted us to make the film!”

The crew shot for three weeks on the same estate in East London, and became semi-permanent fixtures in the area. When they moved to Peckham, it was key to getting some of the area’s most famous locations into the film, and involving the local community.

Bola Agbaje: “I grew up in Peckham, and while it’s really fashionable now, when the play came out Peckham was only really known for Only Fools And Horses and Desmonds. So it was really important for us to make sure that the area, which is really vibrant, and culturally rich, and colourful, was represented truthfully and positively on film. We were embraced by placed like Peckham Library, The Bussey Building, the local church and by the people who live there. I hope we can be a little part of putting the area on the map – it’s a great community and it’s given us a lot, and a side of London you don’t see very often on film”.

Destiny Ekaragha: “I loved shooting, I couldn’t imagine doing anything else. It’s hard work. It’s not glamorous in any way shape or form. We shot the film in November so it was freezing and yet I still found a way to love it. I loved directing these actors and I loved coming up with the shots with the DP and the crew to realise the vision. It’s such a massive team effort that you don’t get to see.

30 or 40 people on set every day freezing cold and battling all sorts of obstacles to make this film work. They made the experience great– I should really give a shout out to them”.

Bola Agbaje: “With a play, the writer is key, being involved in rehearsals is where you discover things about the characters and the script. So part of me wanted to be on set to see it come alive.

Destiny Ekaragha: “It was great having Bola on set. Having the author on set means that if there’s a line of dialogue that the actors need some help with I could just get some advice on what she meant. And we’re really good friends, so it’s always nice to work with someone who gets where you’re coming from the whole time”.

Post Production and reception:

The team camped out at Met Film Post at Ealing Studios for 4 months, emerging in April 2013 with the finished film.

Christopher Granier-Deferre: “When we started watching cuts, we realised that there was a whole other layer underneath the comedy in the film. I was excited to see how much sentiment was wrapped up in the film – something that wasn’t as evident on the page – as we get towards the end it becomes surprisingly emotional. It really has a lot of heart, and bus load of charm.”

Destiny Ekaragha: “When we found out we’d been selected for the London Film Festival, Bola and I went a little crazy. It was the best news. My first ever short film premiered there, and the festival has been really supportive of my work since. It’s great to be having a West End premiere–it’s a very London movie, and it’s the right place for it to show. It’s a dream come true.”

Bola Agbaje: “Yes, we’re new to this industry, and yes, we haven’t made a film before. But we know what we want to watch, and I believe that we’ve created a product that – whatever happens to the film – we can be really proud of.”

Destiny Ekaragha: “There isn’t another film out there like this at the moment. And that doesn’t make it better or worse than any other, but it’s unique. And I’m really proud of that.”

Gone Too Far is in UK Cinemas From Friday 10th Oct

Gone Too Far (12a)

Kush is pleased to announce our Marketing/PR involvement in the latest British Urban Comedy Film that’s looking to ask serious questions about inner-city racial stereotypes in a fun light-hearted manner in this comedic community tale.

Verve Pictures & The BFI Presents

Based on the Olivier Award-Winning play by Bola Agbaje


When Peckham teenager Yemi meets his long-lost Nigerian brother Iku for the first time, his estranged sibling’s African heritage and unimpressive fashion sense soon start to endanger Yemi’s street cred, particularly when trying to impress local troublemaking temptress Armani.

Adolescent angst and cultural tensions erupt in this razor-sharp comedy from a team of vibrant new British talents, adapted from Bola Agbaje’s Olivier Award-winning play which premièred at the Royal Court and directed by Destiny Ekaragha director
of award winning short Tight  Jeans.

Starring: Malachi Kirby, O.C Ukeje, Shanika Warren-Markland, Adelayo Adedayo, Golda John, Tosin Cole, Miles McDonald, Eddie Kadi, KG Tha Comedian, Bhasker Patel, Kulvinder Ghir
& Michael Maris.

Low-key, low-budget, high-intelligence… a superbly judged comedy of racial manners’ (Time Out)

Directed by Destiny Ekaragha
Screenplay by Bola Agbaje


 Find a cinema near you showing the film: Click Here

Follow “Gone Too Far” on social media and help us spread da’ word







Yemi – Malachi Kirby
Malachi’s film credits include Fallen (Silver Reel), Kajaki (Pukka Films), Dough (Viva Films), the award-winning My Brother The Devil (Sundance Festival 2012), The Last Showing (Philm Company), Offender (Revolver) and Film 4 short Jonah (Sundance Festival 2013). Television includes co-lead in BBC film drama My Murder, Silent Witness (BBC), Way to Go (BBC) and Sky drama Lawless.

Theatre includes the lead role in Mogadishu (Royal Exchange Theatre/Lyric Hammersmith), Two Gentlemen of Verona (Theatre Royal Northampton), Rough Cuts (Royal Court Theatre), The Realness (Young Vic Theatre) and Dunsinane (Royal Shakespeare Company). Malachi was selected for Screen International Stars of Tomorrow 2013 and nominated for Most Promising Newcomer in the Evening Standard Theatre Awards.


Ikudayisi – O.C. Ukeje
O.C. Ukeje is a multi-award winning stage and screen actor and musician, born and based inLagos, Nigeria. He has appeared in a number of critically-acclaimed films in Nigeria, including White Water and Black November, alongside Mickey Rourke. He can also be seen in Biyi Bandele’s adaptation of Chimamanda Ngozi Adichie’s Half of a Yellow Sun with Chinwetel Ejiofor,

Thandie Newton and Anika Noni-Rose, which premièred at the 2013 Toronto International Film Festival and the BFI London Film Festival 2013. His latest film, Gone Too Far!, also premièred at LFF last year. He was a member of cast of the ground-breaking BBC World Service Trust TV series Wetin Dey that was presented at the International Emmy World Television Festival.

He won the 2008 African Movie Academy Award (AMAA) for the Best Upcoming Actor and the City
People›s Award for Best New Act in 2010. He won the 2013 Best Actor in a Drama Award at the
inaugural Africa Magic Viewers› Choice Awards, and was nominated in the Best Actor category at
the Africa Movie Academy Awards.

Armani – Shanika Warren Markland

Shanika trained at YoungBlood Theatre Company. Her career began on Television with roles on established British shows such as Holby City and Spooks. On film Shanika made her debut as Kayla in the critically acclaimed, Adulthood directed by Noel Clarke which was quickly followed by the co-lead role of Kerrys in She has since played roles in Demons Never Die, The Skinny and Victim and can be seen later this year as a lead role in Gone Too Far!, the film adaptation of the play by Bola Agbaje.



Paris – Adelayo Adedayo
Adelayo Adedayo - Headshot2
Adelayo’s film credits include London Fields (Muse Productions), Jet Trash (Sums Film), and a leading role in Revolver Entertainment feature film Sket. Adelayo currently plays the lead role in Hat Trick’s comedy series Some Girls (BBC), she also plays a series regular in ITV drama Law & Order: UK. Other television credits include Skins (E4), MI High (BBC), The Bill (ITV) and Meet The Bandaiis (E4).



Razer – Tosin Cole
Tosin has just finished shooting The Secret by Dominic Savage. He will soon be seen in the feature films Second Coming written & directed by Debbie Tucker Green and Gone Too Far directed by Destiny Ekaragha. He has appeared in Hollyoaks, Eastenders E20 and The Cut.





Ghost – Mile McDonald
Miles started acting at Half Moon Youth Theatre in his early teens and began working professionally at 19. Screen credits includes the films It’s A Lot, In The Black and What If’ as well as commercial campaigns for Adidas. Miles continues to work with Half Moon as a tutor and also works extensively in prisons, developing drama workshops to young offenders.




Mum – Golda John

Golda’s film credits include Fantastic Fear Of Everything (Universal). Theatre includes High Life at Hampstead Theatre, The Gods Are Not To Blame (Arcola Theatre),

Mr Puntila and His Man Matti (Almeida Theater), Clear Water (Barbican Centre), Tickets and Ties (Theatre Royal Stratford East) and Early Morning (Oval House).



The Ladies that realised the making of Gone To Far.

GTF_Destiny&Bola_Productionshot Director – Destiny Ekaragha
Destiny is the third of six children born to  Nigerian parents in London, where she lives.
Destiny directed her first feature film, Gone Too Far! adapted from the stageplay of the same name by Bola Agbaje for Poisson Rouge Pictures/BFI Film Fund which premiered at the 57th BFI London Film Festival in October 2013. The film will be released in cinemas nationwide later this year. Destiny was also nominated as Best British Newcomer at the Festival. The film won the Discovery Award at the LOCO Film Festival and a Screen Nation Award for Independent Spirit Film Production. It was also selected for Toronto Film Festival: Next Wave and Belfast’s Takeover Film Festival earlier this year.

Destiny’s first short film, Tight Jeans, which she wrote and directed, was funded by the Southern
Exposure branch of Film London. The film was selected for the 52nd BFI London Film Festival in
2008 and voted Best Short Film at the Festival by The Observer.

Destiny shot two more short films in 2009 with producer Tamana Bleasdale – The Park, which was
again selected for and premiered at the BFI London Film Festival, and Jerningham Road.
In 2010 Destiny directed a Coming Up film for RDF/Channel 4, The Future Wags of Great Britain.
She has a number of films in development with companies including BFI and Lionsgate.

Writer – Bola Agbaje

Bola is a playwright who graduated from the young writers programme at the Royal Court in 2007.
Her first play, Gone Too Far!, was selected to be performed as part of the Young Writers Festival
and was performed at the Royal Court Theatre (Upstairs) in February 2007. The feature film
version, for which she also wrote the screenplay, will premiere at the 57th BFI London Film Festival
in October 2013. In 2008 the play won the Laurence Olivier Award for Outstanding Achievement in
an Affiliated Theatre,

The play was revived in 2008 and returned for a run in the main Downstairs
space at the Court, as well as at the Hackney Empire and Albany Theatre. Bola was also
nominated for the Evening Standard Most Promising Playwright of the Year in 2008. Her newest
play, Belong, was first performed in 2012 at the Royal Court in a co-production with Tiata Fahodzi.
Bola’s writing has been presented by the Royal Court Theatre, ATC, Tiata Fahodzi, Hampstead
Theatre, Soho Theatre, Young Vic, Talawa and Cardboard Citizens to name a few.