Tag Archives: Kurt Russell

Tarantino back with Western ‘Hateful Eight’: Hits UK 07.01.16

Kush News
06.08.15
Updated: 21.12.15

 

 

 

Quentin_Tarantino

Director Quentin Tarantino’s Western ‘The Hateful Eight’  is not released yet but still currently doing battle (of sorts) with Star Wars in the US. Upset Quentin and the Weinstein Brothers have been fighting just to get cinema screens which have been swamped by the mammoth ‘The Force Awakens’ and it will probably stay so over the next 4 weeks.

In a move that should please Quentin Tarantino fans across the country, The Weinstein Company has moved up the nationwide release of “The Hateful Eight” from its previously announced January 8 date to New Year’s Day. The movie will open wide on January 1 with its 35mm digital print version. The movie will still open on Christmas Day at select theaters capable of playing the movie on 70mm film.

The Hateful Eight is in the mould of classic spagetti westerns and hits UK screens fully on the 8th January 2016, the film which will also be released old-skool grand hollywood style in 70mm Ultra-Panavision (the widest release in this format for 20 years using the exact panavision lens used to make the classic Ben Hur film) and also launched via a roadshow city-to-city tour style at selected viable cinemas that can support the 70mm format over Christmas; similiar to classic big Hollywood film releases of the 50’s, 60’s. The film stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Leigh, Tim Roth, Masden and Bruce Dern amongst others.

The soundtrack is composed by legendary Italian composer Ennio Morricone (The Good The Bad and The Ugly, For A Few Dollars More, Wild Bunch).

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Kurt Russel and Samuel Jackson in Hateful Eight

Set in post-civil war Wyoming, the film follows bounty hunters who are trying to find shelter during a blizzard and become embroiled in a plot of betrayal and deception. ‘The Hateful Eight’ is Tarantino’s eighth feature film and will be released on 25th December 2015 and follows the Oscar winning ‘Django Unchained’ which grossed more than $425 million worldwide.
Django-Unchained

In THE HATEFUL EIGHT, set six or eight or twelve years after the Civil War, a stagecoach hurtles through the wintry Wyoming landscape. The passengers, bounty hunter John Ruth (Russell) and his fugitive Daisy Domergue (Leigh), race towards the town of Red Rock where Ruth, known in these parts as “The Hangman,” will bring Domergue to justice. Along the road, they encounter two strangers: Major Marquis Warren (Jackson), a black former union soldier turned infamous bounty hunter, and Chris Mannix (Goggins), a southern renegade who claims to be the town’s new Sheriff.

Losing their lead on the blizzard, Ruth, Domergue, Warren and Mannix seek refuge at Minnie’s Haberdashery, a stagecoach stopover on a mountain pass. When they arrive at Minnie’s, they are greeted not by the proprietor but by four unfamiliar faces. Bob (Bichir), who’s taking care of Minnie’s while she’s visiting her mother, is holed up with Oswaldo Mobray (Roth), the hangman of Red Rock, cow-puncher Joe Gage (Madsen), and Confederate General Sanford Smithers (Dern). As the storm overtakes the mountainside stopover, our eight travelers come to learn they may not make it to Red Rock after all.

Hurtful8_Poster
We for one can’t wait to checkout Hateful Eight, even though some reviews already have highlighted the Tarantino/Jackson collaborative use of the “N” word – it seems once again they are defying the previous criticism and sticking to their guns! We will have to wait and see what context the word once again is continuously used! Sort it out – Quentin and even more so you; Samuel Jackson who seems to relish using the derogatory and demeaning word.

Checkout the trailer and featurette’s below:

 

Film Review 2: Fast & Furious 7

Written by Michael Dequina
13.04.15
Fast&Furious7 (2)

 

It is incredibly difficult, if not downright impossible, to assess Furious Seven completely on the terms on which it was always meant to be taken: as no more than the latest gleefully overblown instalment of the surprisingly durable, nearly 15-year-old action franchise.  But as anyone is well aware, the harsh tragedy of real life upended and endangered this escapist enterprise’s existence.  As such, the proverbial elephant in the room makes for a certain morbid suspense from minute to minute over how veteran series screenwriter Chris Morgan and rookie series director James Wan not only handle the ultimate fate of the late Paul Walker’s character Brian O’Conner, but perhaps more importantly take care of the intermediary material left unshot at the time of the actor’s passing.  The digital compositing used to attach archival footage and images of Walker’s face and/or head onto various stand-ins’ (among them, his two real life brothers) bodies is certainly smooth and impressive on a technical level; however, less seamless are the scenes themselves, which stand out like a sore thumb by how conspicuously, oddly silent Brian is in them.  After all, when, for instance, has Brian ever passed up an opportunity to join Tej (Chris “Ludacris” Bridges) in jokingly taking shots at long-time buddy Roman (Tyrese Gibson)?  Yet that’s what he does in one obvious late-in-production scene, with Tej doing all the ribbing, punctuated by an awkwardly placed shot of a laughing Brian.

And as with most Hollywood action films, whatever passes for story comes secondary at best to those big set pieces.  The (now-) well intentioned outlaw gang of Brian, his BFF Dominic (Vin Diesel), love of Dom’s life Letty (Michelle Rodriguez), Roman, and Tej (Brian’s wife/Dom’s sister Mia, again played by Jordana Brewster, literally stays home with the kids) is recruited by their FBI chum Hobbs (Dwayne Johnson) to rescue a computer genius (Nathalie Emmanuel) from a big bad (Djimon Hounsou), who has dastardly designs on her straight-out-of-Eagle Eye super-surveillance technology.

Meanwhile, the deadly older brother (Jason Statham) of the *previous* film’s big bad (a briefly returning Luke Evans) is on their tail, thirsty for revenge.  The connection of the Statham character is reflective of the sincere and rather admirable effort at a semi-coherent series continuity.  The film also finds Letty still struggling with the amnesia caused by her near-death experience in 2009’s Fast & Furious and temporary brainwashing to the dark side in Furious 6, not to mention this is the first film in the series to finally take place *after* the events of 2005’s tangentially related third instalment, Tokyo Drift, with that film’s lead, Luke Black, finally, officially (if only briefly–for now, at least) joiningFurious_Stratham-Johnson-fi the main line mythology (though Black rather unavoidably looks very much the decade older than he was in that film’s closing scene, which directly dovetails into this story about 20 minutes in).  And so goes another area where Wan picks up right where Lin left off: the ongoing growth of the already large canvas of characters.  In addition to Statham, Emmanuel, Hounsou, and Black, Ronda Rousey turns up as (what else?) a woman warrior; the great Thai martial arts movie megastar Tony Jaa makes his Hollywood debut in a mostly non-verbal evil henchman role; and even Kurt Russell comes aboard as a shady government agent type.  But just as much of a Lin hallmark was the underrated ease with which he and Morgan juggled their widening array of players.  Furious Seven was originally set to be released only a  little over a year after Furious 6, and the hastened pre-production schedule shows in how Morgan clunkily writes out characters for stretches at a time instead of keeping them plot-active while off camera.

Such a shortcoming is fairly moot, though, for when it comes down to what it initially sets out to do, Furious Seven gets the job done.  I speak not just, of course, about being one big, breezy, no-brainer popcorn spectacle, but also serving as a formal send-off to the character of Brian O’Conner and one final tribute to his portrayer, Paul Walker.  And for a series that is by its nature crass and in-your-face, and some of whose earlier instalments were marred by delusional  pretensions of pseudo-existentialist would-be profundity, the surprisingly understated, rather graceful, and altogether classy coda is probably the most outrageous–and satisfying–stunt ever pulled off in its seven-film (and certain to yet still grow) run.

Cast: Vin Diesel, Paul Walker, Dwayne Johnson,
Michelle Rodriguez, Jordana Brewster, Tyrese Gibson,
Chris “Ludacris” Bridges, Elsa Pataky, Lucas Black,
Jason Statham, Djimon Hounsou, Tony Jaa,
Ronda Rousey and Kurt Russell

Directed by: James Wan
Writer: Chris Morgan
Based on the Characters created by: Gary Scott Thompson

Produced by: Neal Moritz, Vin Diesel, Michael Fottrell
Executive Producers: Samantha Vincent, Amanda Lewis, Chris Morgan


Fast & Furious Official Facebook: https://www.facebook.com/fastandfuriousuk
Fast & Furious Official Twitter: https://twitter.com/FastFurious
Universal UK YouTube: http://www.youtube.com/user/universalpicturesuk
Universal UK Facebook: https://www.facebook.com/universalpicturesuk
Universal UK Twitter: https://twitter.com/universaluk

 

Film Review: Fast & Furious 7

Written by Christine Eccelston-Craig
02.04.14

 

 

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“I don’t have friends. I got family.”

These words sum up the heart and soul of the Fast & Furious franchise. Not just for the faithful team of characters on screen, but also for the band of actors, filmmakers and crew who have grown extremely close over the course of seven movies. I don’t think anyone would’ve guessed 15 years ago that the story of street racers in East L.A would’ve transformed into one of the most popular and enduring motion picture serials of all time. The tragic and unexpected death of Paul Walker in an off-set car crash during the time of filming broke many hearts. However the cast still wanted to celebrate his life in the best way; so with the help of Caleb and Cody Walker (Paul Walkers brothers), as stand-ins the movie really did come to life.

“You don’t know me. But you’re about to.”

FAST AND FURIOUS 7 One SheetFast & Furious 7 arrives as the biggest, most fulfilling Fast & Furious movie yet. It’s packed with action from start to finish! British actor Jason Statham opens as salty killer Deckard Shaw, who doesn’t seem to fear anything or anyone. As he stands by his dead brother’s bedside in what appears to be a regular hospital, the camera pans outwards only to reveal he’s slaughtered over a dozen SWAT members and shot up half of the hospitals staff, not to mention around 95% of the building is crumbling around him. His cool and composed attitude is quite sinister, as he walks away from what’s left of the collapsing building his arrogant posture really sets the tone for this character. Who better to adopt that role other than Jason Statham? He’s known for his brutality on screen in films such as The Expendables and I must say he’s done very well playing the tough guy.

With a movie full of nothing but testosterone, it’s easy to say that at first glance it’s a real “guys’ movie.” Filled with hot girls and even hotter cars the camera never fails to pan (in slow motion) over both of these key features. In addition, some of the most crucial nail biting fighting scenes I’ve ever seen takes up about ¾ of the movie but is a real pleasure to watch. Even if you are covering your eyes through most of it! That raw authenticity of the lashes and punches is something I think the audience is missing in modern day action films like these. Characters Shaw (Jason Statham) andDwayneJohnson_Furious7 Torretto (Vin Diesel) perform the best street fighting sequence in the entire franchise of the Fast movies. It’s that rugged reality of it that makes it more fascinating to watch. The ability to see them get down and dirty with bare knuckles is truly special, it’s about time more fighting scenes had this sort of realness in them. We’re missing the fear factor people!


“Double Alpha, man candy you know what I’m sayin?”
Tyrese Gibson is back as Roman Pearce, who bucks authority and again provides more of the films comedic elements. A player when it comes to the ladies, but always loyal when it comes to his team. In Fast & Furious 7 Roman pushes for more of a leadership role, however he soon realises he’s bitten off more than he can chew when his plan to rescue an elite hacker named Ramsey is actually put into action. Despite a few minor setbacks, Roman of course pulls through accompanying his team on some of the craziest car chases known to man. Launching themselves (and their cars) out of cargo planes, free-falling and then parachuting to a treacherous mountain road below only to drive across jagged, rocky surfaces and off extremely high cliffs plummeting down the steep land. Now that’s what I call living life on the edge, literally. Chris “Ludacris” Bridges reprises his role as the automotive and tech tactician who first appeared in 2 Fast 2 Furious. The humorous rivalry between Tej and Roman remains intact and now extends to a beautiful girl caught in the middle of their bickering. It’s definitely like they’re back in high school, they never stop keeping it fun and entertaining for the audience. Now you get to see them act completely crazy, childish and get competitive with one another. You’ll never get tired of watching those two. I know I won’t.

“Wait! Cars don’t fly!”

Director James Wan did a fantastic job with this film having directed films such as Insidious and Annabelle, Wan took a step out of his comfort zone in order to create this movie sensation better known as Fast & Furious 7. Using his techniques of directing horror movies along with Brian Tyler’s music composition, the two manage to fuse terrifying scenes that will have you jumping out of your own skin with hard hitting violence to make you flinch and tremble. His efforts to combine horror with action did not go unnoticed as Fast & Furious 7 epitomizes all of that and then some. With this film, the whole world gets to feel a part of the family. Questions are answered and new thoughts are proposed. If it lives in the saga it’s a seed for something new and will be revisited.

Cast: Vin Diesel, Paul Walker, Dwayne Johnson, Michelle Rodriguez, Jordana Brewster, Tyrese Gibson, Chris “Ludacris” Bridges, Elsa Pataky, Lucas Black, Jason Statham, Djimon Hounsou, Tony Jaa, Ronda Rousey and Kurt Russell

Directed by: James Wan